![]() Later on in the set, the band put on a chilling performance of piano ballad “The Last Man On Earth.” Keyboardist Ryan Malcolm shined in the rendition, and in this song and a few others, drummer Joel Amey joined for supporting vocals creating a beautiful compliment to Ellie’s singing. “Lipstick On the Glass” directly after saw her vocals reach further heights, angelic and airy against an impossibly catchy bass line. The first of the more gentle songs was “Delicious Things.” With its quieter instrumentation, Ellie’s low, biting vocal style got a chance to shine. While the first four were more of their metal-leaning tracks, Wolf Alice effortlessly transitioned into softer moments, creating an accurate sampling of their discography. Later on, Ellis commented on seeing lots of familiar faces in the crowd and checked in on how everyone was doing after a particularly moshy song. “It’s good to be back here,” Ellie said rather softly after finishing up a second guitar-shred heavy song. ![]() Wolf Alice not only displayed gratitude at the chance to perform but also a sincere appreciation for their fans. ![]() The band and crowd fed off of one another’s energies throughout the night. While they started with serious faces, Ellie and the rest of Wolf Alice couldn’t help but crack smiles as the crowd cheered and belted out lyrics alongside them. Finally getting to see them perform, I could see how much they meant it. In an interview I did with Oddie and bassist Theo Ellis last June, the two expressed how eager they were to get back to touring. Wasting little time, the five-piece band set the night off on an up-note, breaking into their set with the high-energy “Smile,” off of their recently released album Blue Weekend.Ī PALPABLE APPRECIATION FOR BEING ON STAGE Ellie Roswell and Joff Oddie - the duo that first formed the band out of London in 2010 - donned blazers and button-ups. Wolf Alice stepped onto stage fashionably late at the Paradise last Thursday night. By Nora Onanian, Web Services Coordinator
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